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Krijnie Beyen  – beeldend kunstenaar – visual artist

Krijnie Beyen – beeldend kunstenaar – visual artist

ruimtelijke werk – fotografie – kunstprojecten – usable artworks

  • .
  • 3-D
    • Public space and commissions
    • stone collages
    • perspextive objects
    • objects that mirror
    • meditative installations
  • site specific
    • landmark Hollandse brug
    • uitzicht met zandkorrel – art of steel
    • Camera obscura
    • Kathedralenstad
    • stromenland – streamland
    • Scheepswrakken – Shipwrecks
    • Ingrepen in het landschap – Interventions in nature
    • Grensland – Borderland
  • projects
    • presence
    • bleuprints
    • I am Maria Magdalena
    • sacred objects
    • transition
    • omfalos
    • invisible women
    • connecting cultures
    • parallel discussions
    • distance installations
    • holos
    • house in movement
  • photo
    • human images
      • past lives
      • contemplation
      • mothers and daughters
      • commissions
      • themes
      • women with a mission
    • light and shadow
    • nothing project
    • moving light
    • seeing light
  • video
  • usable
    • talking sticks
  • Krijnie
    • T I F E R E T
    • contact and CV
    • Press and publications
  • living archive
    • Invisible women (re-make)
    • I am MM/the sacred (re-make)

.

kokerblauw2midden

to Kompassie in beeld/ exploring and creating in healing WE-spaces 

to Studio Satelight/mapping our future together 

to I am Maria Magdalena/ art and transformation project 

I agree with James Baldwin

“The role of the artist is exactly the same as the role of the lover. If I love you, I have to make you conscious of the things you don’t see.” ~ James Baldwin

And I can recognize myself in the words of Pearl S. Buck

The truly creative mind in any field is no more than this: a human creature born abnormally, inhumanly sensitive. To her, a touch is a blow, a sound is a noise, a misfortune is a tragedy, a joy is an ecstasy, a friend is a lover, and a lover is a god. Add to this cruelly delicate organism the overpowering necessity to create, create, create — so that without the creating of music or poetry or art or buildings or something of meaning, her very breath is cut off from her. She must create, must pour out creation. By some strange, unknown, inward urgency she is not really alive unless she is creating.

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